My work deconstructs the phenomelogical existentialism- Nah, kidding. I love to tell stories. But since clay does not allow me to write a 5-act screenplay, I focus on the point of no return: That moment in a scene or someone’s life, where there is no turning back and the outcome has become inevitable.
I like working with contrasting emotions. When used properly, their differences enhance the tension in a piece. Whatever the mood though, all my sculptures are about people and the choices they make. If that doesn’t give me a lifetime of inspiration, I don’t know what does. And I was told by the Internet School of Art Business – I totally made that up just now – that you should always plan ahead. Who am I to argue?
My work deconstructs the phenomelogical existentialism- Nah, kidding. I love to tell stories. But since clay does not allow me to write a 5-act screenplay, I focus on the point of no return: That moment in a scene or someone’s life, where there is no turning back and the outcome has become inevitable.
I like working with contrasting emotions. When used properly, their differences enhance the tension in a piece. Whatever the mood though, all my sculptures are about people and the choices they make. If that doesn’t give me a lifetime of inspiration, I don’t know what does.